Part One: Melody
Focuses on single note soloing. Learn how to effortlessly solo through complex chord changes.
Jazz Guitar Players
One of the most original guitarists from the '80s onward (he is instantly recognizable), Pat Metheny is a chance-taking player who has gained great popularity but also taken some wild left turns. His records with the Pat Metheny Group are difficult to describe (folk-jazz? mood music?) but managed to be both accessible and original, stretching the boundaries of jazz and making Metheny famous enough so he could perform whatever type of music he wants without losing his audience.
Metheny (whose older brother is the
trumpeter Mike Metheny) started on guitar when he was 13. He developed
quickly, taught at both the University of Miami and Berklee while he was
a teenager, and made his recording debut with Paul Bley and Jaco Pastorius
in 1974. He spent an important period (1974-1977) with Gary Burton's group;
met keyboardist Lyle Mays; and in 1978 formed his group, which originally
featured Mays, bassist Mark Egan, and drummer Dan Gottlieb. Within a short
period he was ECM's top artist and one of the most popular of all jazzmen,
selling out stadiums.
Metheny mostly avoided playing predictable music and his freelance projects
were always quite interesting. His 1980 album 80/81 featured Dewey Redman
and Mike Brecker in a post-bop quintet; he teamed up with Charlie Haden
and Billy Higgins on a trio date in 1983; and two years later recorded
the very outside Song X with Ornette Coleman. Among Metheny's other projects
away from the group were a sideman recording with Sonny Rollins; a 1990
tour with Herbie Hancock in a quartet; a trio album with Dave Holland
and Roy Haynes; and a collaboration (and tour) with Joshua Redman. Although
his Zero Tolerance for Silence in 1994 was largely a waste (40 minutes
of feedback), Pat Metheny retained his popularity and remained a consistently
creative performer. He has recorded as a leader for ECM (starting in 1975)
and Geffen.
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Guitar Players
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It has been many years since the first edition of Play What You Hear (originally released in 2000). Now volume two is here with new ideas and concepts, complete with audio, video, traditional notation and TAB throughout. High resolution pdf available for printing the entire program. For intermediate and advanced players.
Focuses on single note soloing. Learn how to effortlessly solo through complex chord changes.
Focuses on chord melody. Learn new harmonic devices and understand chords in a whole new way.
Study Chris Standring's six recorded solos, transcribed with audio and high def video.
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