Part One: Melody
Focuses on single note soloing. Learn how to effortlessly solo through complex chord changes.
Jazz Guitar Players
 
      One of the finest jazz guitarists in Philadelphia, Jimmy Bruno is a 
          passionate hard bopper who loves to swing aggressively but can be a 
          very sensitive ballad player when he puts his mind to it. The Italian-American 
          was raised in South Philly, where he fell in love with jazz as a kid 
          and took up the guitar at the age of seven. Growing up, he was influenced 
          by such bop guitar greats as Joe Pass, Kenny Burrell, Barney Kessel 
          and Jimmy Raney but also admired the pre-bop work of Eddie Lang, Charlie 
          Christian and Django Reinhart. At 19, Bruno hit the road as a sideman 
          for The Buddy Rich Big Band before ended up spending much of his youth 
          living in the West--where he did a lot of non-jazz gigs in Los Angeles 
          and Las Vegas. 
          
          Although those live and studio pursuits paid the bills for Bruno, he 
          never gave up hard bop and hoped to eventually be a full-time jazz musician. 
          Returning to Philly in 1988, a 35-year-old Bruno was determined to do 
          exactly that even it meant being poor for awhile. An article in the 
          Philadelphia Weekly quoted Bruno as saying that he went from earning 
          several thousand dollars a week in the West to working for minimum wage 
          at "a real dive" in Philly's Fairmount section--but that he 
          was happy and fulfilled because he was playing live jazz five nights 
          a week. 
          
          Eventually, Bruno was able to give up part-time bartending and concentrate 
          on nothing but playing and teaching jazz. In the early 1990s, he came 
          to the attention of the late Concord Jazz founder/president Carl Jefferson, 
          who was impressed with his playing and signed him to the label. Bruno's 
          first album as a leader, Sleight of Hand, was recorded in 1991, followed 
          by other bop-oriented Concord dates like Burnin' in 1994 and Like That 
          (which featured organist Joey DeFrancesco) in 1995. The late 1990s found 
          Bruno continuing to record for Concord while playing and teaching extensively 
          around Philly. His first Live at Birdland recording appeared in 1997; 
          its sequel, a collaboration with tenor saxophonist Scott Hamilton, followed 
          two years later. Bruno next resurfaced in the spring of 2000 with Polarity.
          
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          Guitar Players 
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It has been many years since the first edition of Play What You Hear (originally released in 2000). Now volume two is here with new ideas and concepts, complete with audio, video, traditional notation and TAB throughout. High resolution pdf available for printing the entire program. For intermediate and advanced players.
Focuses on single note soloing. Learn how to effortlessly solo through complex chord changes.
Focuses on chord melody. Learn new harmonic devices and understand chords in a whole new way.
Study Chris Standring's six recorded solos, transcribed with audio and high def video.
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