Part One: Melody
Focuses on single note soloing. Learn how to effortlessly solo through complex chord changes.
Free Jazz Guitar Lessons with Chris Standring
There are 12 keys. The following chart represents all 
        the keys and I have endeavored to explain what is commonly known as the 
        "circle of fifths". Let's look at the top of the circle first 
        of all. You will see "C". C major has no sharps or flats in 
        its key signature. Look to the right in the diagram and you will see "G". 
        G has one sharp in its key signature and is a perfect 5th away from "C", 
        the previous key. (G is the 5th note in the C major scale). Look to the 
        right again and you will see "D". D major has two sharps and 
        again, is a perfect 5th away from the previous key of G. (D is the 5th 
        note in the G major scale). Continue around the circle again and you will 
        come to A major, which has three sharps and is a perfect 5th away from 
        the previous key of D and so on. 
        
        Keep continuing around the circle until it starts over at C major again, 
        back at the top of the circle. You will notice that there are three keys 
        in the circle that have two different names. B is the same as Cb. F# is 
        the same as Gb and C# is the same as Db. These are known as enharmonic 
        keys (they sound the same, but are notated differently). In a practical 
        situation you would use B instead of Cb as it is easier to think of 5 
        sharps rather than 7 flats. Also you would use Db instead of C#, because 
        it is better to think of 5 flats instead of 7 sharps. Since F# and Gb 
        have an equal number of sharps and flats, either can be used. C# and Cb 
        are considered more "theoretical" keys than actual usable keys, 
        so you will rarely see them. 
        
         
 
        
        Here are all the key signatures with their respective accidentals:
        
         
 
        
        It is a good idea to memorize these keys and to know exactly what accidentals 
        each contains. There is a really easy little rhyme to help you remember 
        this. First, remember that C major has no sharps or flats. Easy. Then:
        
       For sharp 
        keys:
        Father Charles 
        Goes Down 
        And Ends 
        Battle
        
        For flat 
        keys: 
        Battle Ends 
        And Down 
        Goes Charles 
        Father
        
        It might take a while to really know these keys inside out so don't drive 
        yourself nuts if this doesn't sink in for a while. Know the theory behind 
        the keys as I have explained above and the more you actually play in a 
        key, the more each will really hit home with you and become comfortable. 
        
        
        Relative Minor Keys
        For every major key there is a relative minor key. Our relative 
        minor key chord is chord 6 in our major chord scale sequence. Just to 
        remind you:
        
         
 
        
      
So the relative minor of C major is therefore A minor. 
        Makes sense? All the key chords pertaining to the key of A minor are (for 
        our present purposes) the same as C major except that in order for us 
        to really establish our new key center of A minor, it is necessary for 
        us to include the chord of E7 because if we were to play a perfect cadence 
        in A minor, we would need to go v - i (chord 5 going to chord 1), just 
        like we would in a major key. Our v chord is always dominant remember? 
        or dominant 7th. (in the key of C major, our v dominant chord is G7). 
        So in the key of A minor, our v dominant chord would be E7 (not E minor 
        as the key of C major would suggest). 
        
        In any major key, simply count up six steps to find out what the relative 
        minor key is:
        
| Major | Relative Minor | 
| C major | A minor | 
| G major | E minor | 
| D major | B minor | 
| A major | F# minor | 
| E major | C# minor | 
| B major | G# minor | 
| F# major | D# minor | 
| C# major | A# minor | 
| F major | D minor | 
| Bb major | G minor | 
| Eb major | C minor | 
| Ab major | F minor | 
| Db major | Bb minor | 
| Gb major | Eb minor | 
| Cb major | Ab minor | 
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It has been many years since the first edition of Play What You Hear (originally released in 2000). Now volume two is here with new ideas and concepts, complete with audio, video, traditional notation and TAB throughout. High resolution pdf available for printing the entire program. For intermediate and advanced players.
Focuses on single note soloing. Learn how to effortlessly solo through complex chord changes.
Focuses on chord melody. Learn new harmonic devices and understand chords in a whole new way.
Study Chris Standring's six recorded solos, transcribed with audio and high def video.
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